Showing posts with label art for sale. Show all posts
Showing posts with label art for sale. Show all posts
Sunday, October 17, 2010
Bay Area Figurative
The application of Abstract Expressionist technique to realistic subject matter, it was a style of painting prevalent in the Bay Area of San Francisco, California from the 1940s to 1960s. Bay Area Figurative painting began with teachers at the California School of Fine Art. Leading artists were David Park, Richard Diebenkorn, Joan Brown, Manuel Neri, Nathan Oliviera, Paul Wonner and Elmer Bischoff. The movement was a reaction to the popular Abstract Expressionism in New York. In the Bay area style, images were still quite abstract and painted with much expressionist style, but there was a rejection of total abstraction. Elements of realism such as human figures could be seen. However, these figures seldom conveyed a sense of human vitality or realism and were more like elements in a still life. For many, the Bay Area Figurative movement marked the end of the dominance of Abstract Expressionism and the return of some realism to 20th century art. Elmer Bischoff told critic Thomas Albright that Abstract Expressionism was "playing itself dry. I can only compare it to the end of a love affair." Source: Robert Atkins, "ArtSpeak"
Art Deco
Art Deco was an art movement that manifested itself between the two world wars, particularly in the 1920s and 1930s, and involved architecture, furniture design, decorative art, as well as painting and sculpture. The description ‘Art Deco’ means different things to different people. To some it implies opulent Parisian furnishings. To students of Modernism it suggests Minimalism in design. For others it means Manhattan skyscrapers or bakelite radios. The influence of painting movements such as Cubism, Russian Constructivism and Italian Futurism, with their abstraction, distortion and simplification, are all evident in Art Deco decorative arts. The style could be said to represent a ‘machine age aesthetic’, where the flowing, floral motifs of Art Nouveau were replaced with streamlined, geometric designs that expressed the speed, power and scale of modern technology.
At the beginning, the Art Deco movement just occurred in France, but grew to extend into Britain, Italy, other European countries, and to North America. The extensive artistic exchange between Paris, France, and New York City that occurred after World War I expanded its influence in this country, and the style caught on in the U.S. in the late 20s. Although Art Deco as a decoration style was popular in 1920s and '30s, it was not known by that name until its revival in the 1960s. The term Art Deco was derived by a British art critic from the name of the 1925 Paris Exposition des Arts Decoratifs Industriels et Modernes, which had been publicized as a celebration of living in the modern world.
Considered to be an elegant style of cool sophistication, Art Deco began as a Modernist reaction against the detailed patterns and curving lines of the Art Nouveau style. In contrast, Art Deco is more aligned with the Precisionist movement, which developed at about the same time, as it utilizes crisp, symmetrical, geometric forms. Art Deco designers use stepped forms, rounded corners, triple-striped decorative elements and black decoration, and experimented with industrial materials such as metals, plastics, and glass. Although the style was originally started in Europe, it had strong effect on architecture and interior design in the United States. Especially in New York City, Art Deco reached the height of its achievement in soaring skyscrapers of the late 1920s and early 1930s. Examples would be the Chrysler, Daily News, and Empire State buildings. Because many Art Deco buildings went up during a period of economic collapse known as the Great Depression, the style is sometimes known as ‘depression moderne’.
Art Deco in fine arts, like sculptures, paintings, handmade crafts, and glass, were based on simple format, clean lines, and vivid colors. Practitioners of the style in the United States include names such as Gilbert Rohde for his furniture and Donald Deskey (1894-1989) for his industrial design. In the realm of graphic design, Art Deco has sometimes been referred to as the "Cassandre Style" after the well-known posters of French artist Adolphe Mouron-Cassandre (1901-1968). Born in the Ukraine, and mainly based in Paris, Cassandre lived in New York for periods of time between 1936 and 1938. He created covers for Harper’s Bazaar and was given a one-man show at the Museum of Modern Art in 1936. Cassandre’s sleek designs of towering ships and speeding trains are still considered quintessential Art Deco images.
The main characteristics of Art Deco are derived from a variety of avant-garde painting styles of the early twentieth century. It also was a ‘modernization’ of various artistic styles from the past, and showed the influence of everything from Far and Middle Eastern design, to Egyptian, Greek, Roman, and even Mayan themes. Works might include aspects of Cubism, Constructivism, and/or Futurism.
In response to the growing impact of the machine in the 1920s, Art Deco often celebrated the rise of technology, commerce, and speed. Machines, gears, and wheels were visible in images, and streamlined forms, inspired from the principles of aerodynamics, were also used. Shapes might be simplified, distorted, or abstracted, and colors were often intense. Particularly well-known artists within the movement were painter Tamara de Lempicka (1890-1980) who was born in Poland, but ultimately settled in Hollywood, where she was an artist of the stars. Russian-born painter and fashion illustrator Romain de Tirtoff (‘Erte’) (1892-1990) went by the name Erte (after the French pronunciation of his initials), and for over twenty years created memorable covers for Harper’s Bazaar. The resulting high visibility of his style had significant influence on the Art Deco movement.
The paintings of James C. Ewell (1889-1963) were recognizably figurative, but influenced by modernism and the Art Deco style, as was the work of John McCrady (1911-1968). Some of the work of Yasuo Kuniyoshi (1893-1953) was decorative with Art-Deco motif, such as the wall paintings he did in Radio City Music Hall in New York. Many of the works of sculptor Paul H. Manship (1885-1966) show a strong Art Deco influence, as do the sculptures of Wilhelm Hunt Diederich (1884-1953), who is known for his stylized Art Deco figures and animals in iron. Boris Lovet Lorski (1894-1973) is noted for bronze female sculptures with impossibly narrow, boyish hips, bodies broadening as they rise to the shoulders, and wide-spread arms, seemingly created by the artist to be almost mechanized, gleaming and streamlined like the latest airplanes, motorcars, and other machines and technology that found particular expression in Art Deco. Through the 1940's, California artist Jason (‘Jessie’) Emerson Herron (1900 - 1984) was among the leading women sculptors of California. Especially active in Southern California during the WPA era, her Art Deco style sculptures can be found in several public buildings and monuments. With her colleague, Henry Lion (1900-1966) Herron created the Art Deco figure, ‘Power of Water’ for Lafayette Park in Los Angeles.
In architecture, William Van Alen, the designer of the Empire State Building, is considered to have created one of the greatest Art Deco buildings. Also in New York, the Art Deco plaques on the exterior wall of Radio City Music Hall were created by muralist and mosaicist Hildreth Meiere (1892-1961). Renowned architect Frank Lloyd Wright (1869-1959) used Art Deco elements in the shapes of many of his buildings, such as the exterior of the Park Inn Hotel in Mason City, Iowa; the textile block patterns of his Ennis house in Los Angeles; and in his decorative trims as well as stained glass and light screens.
Visually somewhat similar to Art Deco is Precisionism, another art movement that developed at about the same time. Known also as Cubist Realism, Precisionism represented objects in a realistic manner, but with an emphasis on geometric form.
Evidence of the ongoing interest in Art Deco is evident in the influence the style has had on contemporary artists, designers, and architects, one example being Art Deco revivalism in architecture that recalls the fantasy stages of 1930s Hollywood productions.
At the beginning, the Art Deco movement just occurred in France, but grew to extend into Britain, Italy, other European countries, and to North America. The extensive artistic exchange between Paris, France, and New York City that occurred after World War I expanded its influence in this country, and the style caught on in the U.S. in the late 20s. Although Art Deco as a decoration style was popular in 1920s and '30s, it was not known by that name until its revival in the 1960s. The term Art Deco was derived by a British art critic from the name of the 1925 Paris Exposition des Arts Decoratifs Industriels et Modernes, which had been publicized as a celebration of living in the modern world.
Considered to be an elegant style of cool sophistication, Art Deco began as a Modernist reaction against the detailed patterns and curving lines of the Art Nouveau style. In contrast, Art Deco is more aligned with the Precisionist movement, which developed at about the same time, as it utilizes crisp, symmetrical, geometric forms. Art Deco designers use stepped forms, rounded corners, triple-striped decorative elements and black decoration, and experimented with industrial materials such as metals, plastics, and glass. Although the style was originally started in Europe, it had strong effect on architecture and interior design in the United States. Especially in New York City, Art Deco reached the height of its achievement in soaring skyscrapers of the late 1920s and early 1930s. Examples would be the Chrysler, Daily News, and Empire State buildings. Because many Art Deco buildings went up during a period of economic collapse known as the Great Depression, the style is sometimes known as ‘depression moderne’.
Art Deco in fine arts, like sculptures, paintings, handmade crafts, and glass, were based on simple format, clean lines, and vivid colors. Practitioners of the style in the United States include names such as Gilbert Rohde for his furniture and Donald Deskey (1894-1989) for his industrial design. In the realm of graphic design, Art Deco has sometimes been referred to as the "Cassandre Style" after the well-known posters of French artist Adolphe Mouron-Cassandre (1901-1968). Born in the Ukraine, and mainly based in Paris, Cassandre lived in New York for periods of time between 1936 and 1938. He created covers for Harper’s Bazaar and was given a one-man show at the Museum of Modern Art in 1936. Cassandre’s sleek designs of towering ships and speeding trains are still considered quintessential Art Deco images.
The main characteristics of Art Deco are derived from a variety of avant-garde painting styles of the early twentieth century. It also was a ‘modernization’ of various artistic styles from the past, and showed the influence of everything from Far and Middle Eastern design, to Egyptian, Greek, Roman, and even Mayan themes. Works might include aspects of Cubism, Constructivism, and/or Futurism.
In response to the growing impact of the machine in the 1920s, Art Deco often celebrated the rise of technology, commerce, and speed. Machines, gears, and wheels were visible in images, and streamlined forms, inspired from the principles of aerodynamics, were also used. Shapes might be simplified, distorted, or abstracted, and colors were often intense. Particularly well-known artists within the movement were painter Tamara de Lempicka (1890-1980) who was born in Poland, but ultimately settled in Hollywood, where she was an artist of the stars. Russian-born painter and fashion illustrator Romain de Tirtoff (‘Erte’) (1892-1990) went by the name Erte (after the French pronunciation of his initials), and for over twenty years created memorable covers for Harper’s Bazaar. The resulting high visibility of his style had significant influence on the Art Deco movement.
The paintings of James C. Ewell (1889-1963) were recognizably figurative, but influenced by modernism and the Art Deco style, as was the work of John McCrady (1911-1968). Some of the work of Yasuo Kuniyoshi (1893-1953) was decorative with Art-Deco motif, such as the wall paintings he did in Radio City Music Hall in New York. Many of the works of sculptor Paul H. Manship (1885-1966) show a strong Art Deco influence, as do the sculptures of Wilhelm Hunt Diederich (1884-1953), who is known for his stylized Art Deco figures and animals in iron. Boris Lovet Lorski (1894-1973) is noted for bronze female sculptures with impossibly narrow, boyish hips, bodies broadening as they rise to the shoulders, and wide-spread arms, seemingly created by the artist to be almost mechanized, gleaming and streamlined like the latest airplanes, motorcars, and other machines and technology that found particular expression in Art Deco. Through the 1940's, California artist Jason (‘Jessie’) Emerson Herron (1900 - 1984) was among the leading women sculptors of California. Especially active in Southern California during the WPA era, her Art Deco style sculptures can be found in several public buildings and monuments. With her colleague, Henry Lion (1900-1966) Herron created the Art Deco figure, ‘Power of Water’ for Lafayette Park in Los Angeles.
In architecture, William Van Alen, the designer of the Empire State Building, is considered to have created one of the greatest Art Deco buildings. Also in New York, the Art Deco plaques on the exterior wall of Radio City Music Hall were created by muralist and mosaicist Hildreth Meiere (1892-1961). Renowned architect Frank Lloyd Wright (1869-1959) used Art Deco elements in the shapes of many of his buildings, such as the exterior of the Park Inn Hotel in Mason City, Iowa; the textile block patterns of his Ennis house in Los Angeles; and in his decorative trims as well as stained glass and light screens.
Visually somewhat similar to Art Deco is Precisionism, another art movement that developed at about the same time. Known also as Cubist Realism, Precisionism represented objects in a realistic manner, but with an emphasis on geometric form.
Evidence of the ongoing interest in Art Deco is evident in the influence the style has had on contemporary artists, designers, and architects, one example being Art Deco revivalism in architecture that recalls the fantasy stages of 1930s Hollywood productions.
Wednesday, August 4, 2010
Jonathan Leo Fairbanks Original Art For Sale Pencil Drawing
This is a fabulous original pencil drawing / sketch.
Signed Leo Fairbanks .
This item is for sale and will be sold to the highest bidder.
There are no original art pieces for sale on the internet as far as i can find out.
Dear Robert:
This is a response from Mr. Jonathan Leo Fairbanks Himself:
Yes, that is a drawing that I made at the PA. Academy of the Fine Arts during or about 1955/6 while I was studying mural painting under George Harding. I cannot recall when or how the drawing passed out of my hands on to someone else-- except that I may have made a gift of it to another artist -- or else it was sold in one of the many exhibitions of my works in a gallery several years ago. The photo of me in the Globe article shows a very different -looking person than I am today. My current bio and photo is to be found at artfact.com , where I am employed as Vice President for Research. I served almost 30 years as Curator of American Decorative Arts and Sculpture at the Museum of Fine Arts, Boston- now I am an Emeritus Curator of the MFA. I'm listed in Whose Who in American Art, Whose Who in America, Wikipidia, as well as several other sources. I am an active and productive artist. I was in Salt Lake City last week where I completed three good-sized oil landscapes in and of the Rocky Mountains. The figure drawing served as a study for part of a mural exercise in tempera measuring 4'x 8' that I made at the Academy. I will not be a bidder for the drawing, but I wish you the best of luck in its sale. Please let me know what it brings.
Sincerely,
Jonathan Leo Fairbanks
Jonathan Leo Fairbanks (b. 1933- Ann Arbor, Michigan)
Son of a sculptor, the late Avard T. Fairbanks (1898-1989), Jonathan spent much of his youth in studio work together with his ten siblings. A profound appreciation for all crafts was formed early. He earned a B.F.A. degree from the University of Utah in 1953. After service in the U.S. Navy, he attended the Pennsylvania Academy of the Fine Arts, Philadelphia and earned an M.F.A. degree from the University of Pennsylvania. Subsequently he received a Winterthur Fellowship and earned an M.A. degree in American Culture from the University of Delaware in 1961. Employed at the Henry Francis duPont Winterthur Museum, he was advanced to Associate Curator in Charge of Conservation over the ten years that followed. During that time he was responsible for overseeing a building that became known as a world-class conservation facility-- staffing, equipping it, and planning its conservation-training program.
In 1971 he received an appointment to join the Museum of Fine Arts, Boston to start a new department of American Decorative arts and Sculpture – for which he became its first Curator. He vigorously advocated collections development to include works by contemporary studio arts in crafts media. After mounting several seminal exhibitions (Frontier America, Paul Revere’s Boston, New England Begins: The Seventeenth Century, The Art that is Life: The Arts and Crafts Movement in America, and a series of Contemporary Crafts exhibitions) he received the 4th endowed curatorship in the 125-year history of the Museum. That appointment is recognized since his 1999 retirement as The Katharine Lane Weems Curator of American Decorative Arts and Sculpture, Emeritus.
An enduring legacy of his work at the MFA remains the initiation and development of the “Please Be Seated” program that many museums have copied. At the MFA this accounts for the collecting of works by more than fifty American furniture masters. This program began in 1976 with the acquisition of a dozen pieces of furniture made by Sam Maloof. This program continues to expand with new accessions. By inviting visitors to experience seating themselves in superbly crafted works of art, the MFA confirms that art in craft media is alive and well in America today.
Although no longer employed by a particular museum, Jonathan Fairbanks continues museum consulting and guest exhibition work. Notable recent exhibitions include a traveling exhibition for the Diplomatic Reception Rooms of the U.S. Department of State, an exhibition of his own paintings for the Washington County Museum of Fine Arts, Hagerstown, MD., as well as participation in the current exhibition: “Crafts in America”. His own work as a painter continues as he writes a weekly newsletter for Artfact.com. Readers are invited to register to receive (for free) his weekly newsletters that survey upcoming auctions-- showing fully illustrated catalogue entries from auction houses world wide on Artfact.com.
Signed Leo Fairbanks .
This item is for sale and will be sold to the highest bidder.
There are no original art pieces for sale on the internet as far as i can find out.
Dear Robert:
This is a response from Mr. Jonathan Leo Fairbanks Himself:
Yes, that is a drawing that I made at the PA. Academy of the Fine Arts during or about 1955/6 while I was studying mural painting under George Harding. I cannot recall when or how the drawing passed out of my hands on to someone else-- except that I may have made a gift of it to another artist -- or else it was sold in one of the many exhibitions of my works in a gallery several years ago. The photo of me in the Globe article shows a very different -looking person than I am today. My current bio and photo is to be found at artfact.com , where I am employed as Vice President for Research. I served almost 30 years as Curator of American Decorative Arts and Sculpture at the Museum of Fine Arts, Boston- now I am an Emeritus Curator of the MFA. I'm listed in Whose Who in American Art, Whose Who in America, Wikipidia, as well as several other sources. I am an active and productive artist. I was in Salt Lake City last week where I completed three good-sized oil landscapes in and of the Rocky Mountains. The figure drawing served as a study for part of a mural exercise in tempera measuring 4'x 8' that I made at the Academy. I will not be a bidder for the drawing, but I wish you the best of luck in its sale. Please let me know what it brings.
Sincerely,
Jonathan Leo Fairbanks
Jonathan Leo Fairbanks (b. 1933- Ann Arbor, Michigan)
Son of a sculptor, the late Avard T. Fairbanks (1898-1989), Jonathan spent much of his youth in studio work together with his ten siblings. A profound appreciation for all crafts was formed early. He earned a B.F.A. degree from the University of Utah in 1953. After service in the U.S. Navy, he attended the Pennsylvania Academy of the Fine Arts, Philadelphia and earned an M.F.A. degree from the University of Pennsylvania. Subsequently he received a Winterthur Fellowship and earned an M.A. degree in American Culture from the University of Delaware in 1961. Employed at the Henry Francis duPont Winterthur Museum, he was advanced to Associate Curator in Charge of Conservation over the ten years that followed. During that time he was responsible for overseeing a building that became known as a world-class conservation facility-- staffing, equipping it, and planning its conservation-training program.
In 1971 he received an appointment to join the Museum of Fine Arts, Boston to start a new department of American Decorative arts and Sculpture – for which he became its first Curator. He vigorously advocated collections development to include works by contemporary studio arts in crafts media. After mounting several seminal exhibitions (Frontier America, Paul Revere’s Boston, New England Begins: The Seventeenth Century, The Art that is Life: The Arts and Crafts Movement in America, and a series of Contemporary Crafts exhibitions) he received the 4th endowed curatorship in the 125-year history of the Museum. That appointment is recognized since his 1999 retirement as The Katharine Lane Weems Curator of American Decorative Arts and Sculpture, Emeritus.
An enduring legacy of his work at the MFA remains the initiation and development of the “Please Be Seated” program that many museums have copied. At the MFA this accounts for the collecting of works by more than fifty American furniture masters. This program began in 1976 with the acquisition of a dozen pieces of furniture made by Sam Maloof. This program continues to expand with new accessions. By inviting visitors to experience seating themselves in superbly crafted works of art, the MFA confirms that art in craft media is alive and well in America today.
Although no longer employed by a particular museum, Jonathan Fairbanks continues museum consulting and guest exhibition work. Notable recent exhibitions include a traveling exhibition for the Diplomatic Reception Rooms of the U.S. Department of State, an exhibition of his own paintings for the Washington County Museum of Fine Arts, Hagerstown, MD., as well as participation in the current exhibition: “Crafts in America”. His own work as a painter continues as he writes a weekly newsletter for Artfact.com. Readers are invited to register to receive (for free) his weekly newsletters that survey upcoming auctions-- showing fully illustrated catalogue entries from auction houses world wide on Artfact.com.
Subscribe to:
Posts (Atom)